Sketchbook pages

A 45 minute sketch of Julie Webb, on a Wednesday night at Hipbone


Ben Fowler's band playing at Jimmy Mak's



Two sisters at the bakery.
A page about the death of a family friend.


One can learn a lot about trees by looking at them.
10-minute sketch of Sophie.


Daffodils from the senior center rummage sale.
Bookshelf and window.



Jonathan works at Starbucks and sings with the Portland Opera.
He modeled for my class and sat very still.

Portrait of Brenna

"Our House" Benefit

This was a great party! Phil Hunt and Marianne Ghim hosted twelve artists and thirty guests at a dinner party to raise money for Our House of Portland. All of the paintings made during the evening were sold in silent auction, framed, and sent home with the buyers.



This is my painting. I was at a party and there were two naked people standing on the surface of the pool. Everyone could see them but nobody could join them. They did not move.



This is the scene of the party, taken late after the sunlight was gone.

Nychole won the silent auction and bought my painting. She is also in it. Look for her yellow jacket.

Not my work.

Here is a video. It is the work of Fraser, famous for his blue canvas portrait and other greatnesses. It features a baby named Jessa who is the work of Naomi and Fraser. It also features one of my favorite songs ever, "Pacific ," which is the work of Naomi. In the video you get to see Jessa holding on to Fraser's nose.

I love this song! I want to buy the cd.

Early Work

I call this "Dresser Person." Thanks to Jesse for sending me a photo of this painting I did, oh, probably around 1972. And thanks to my mom for letting me paint on the backs of dressers, which is why this piece is preserved and also may have something to do with why I have the creative freedom I do. She actually let me paint on the walls too. Parents, I recommend this policy.

NAKED: Art on Raw Surfaces event

This event to promote figurative art was organized by Studio Art Direct and was held at the offices of the American Institute of Architects, at NW 11th and Flanders, on Thursday June 5. It was like other First Thursday gallery receptions, only with actual live artists (Bill Park, Sidonie Caron, and me) drawing an actual live model (Julie Webb). The show includes one painting reproduced many times using giclee (inkjet) printing on many different surfaces. It also now includes many of the 25+ drawings produced by each of the artists during the three-hour reception, and these drawings are for sale. The photograph above shows some of these drawings as they were at the end of the evening. Mine are in the middle.

Demos and Studies

Art Media (my second home) asked me to do an in-store demo to tout the virtues of Multimedia Artboard, one of my favorite painting supports. This painting of Waikiki is on gessoed MMAB and consists of layers of watercolor, which can be picked up when it's dry. Some of the following images are from that demo, and others are in-class demonstrations or just me messing around.


This one is oil on board, about 9x12. I was trying to get the feeling of light reflecting on the floor and the different warm and cool whites.


I had a board which I'd painted with wall paint a long time ago. I was actually working on another painting when I saw the angle of my head in the mirror. This is oil paint, laid on with a brush and then scraped with a knife.

This is from last year, when David and I traded modeling for each other. He is a still-life painter whose work is just beautiful.

A study of Sasha. Trying to move into heavier paint in the light areas and keep the nice values from my "drawing."


Three Little Oranges and a shaft of sunlight. I loved the blue of this table...I've since painted it green.

This started out as one of the demo boards at Art Media (acrylic on MA) and continued in class to show how to put the background in after and use it to carve out and refine the shape of the figure.

This one's a classroom demo, acrylic on toned MA. These lamps stand in the corner of the classroom, and in this painting they seem to be playing out some human interaction.
This one I did in class to show how to go in real loose at the beginning, using your reference objects for inspiration and creating the color and composition you want, rather than intending to accurately copy the reality you see.

This is from a sketchbook image I did at (I think) White Sands beach in Hawaii. It was done to demonstrate how watercolor works on unprimed MA.